Çàõîòåëîñü ìíå îñåíè, ÷òî-òî Çàäûõàþñü îò ëåòíåãî çíîÿ. Ãäå òû, ìîé áåðåçíÿê, ñ ïîçîëîòîé È ïðîçðà÷íîå íåáî ïîêîÿ? Ãäå òû, øåïîò ïå÷àëüíûõ ëèñòüåâ,  êðóæåâàõ îáëûñåâøåãî ñàäà? Äëÿ ÷åãî, íå ïîéìó äàëèñü ìíå Òèøèíà, äà ñûðàÿ ïðîõëàäà. Äëÿ ÷åãî ìíå, òåïåðü, ñêîðåå, Óëèçíóòü çàõîòåëîñü îò ëåòà? Íå óñïåþ? Íåò. Ïðîñòî ñòàðåþ È ìîÿ óæå ïåñåíêà ñïåòà.

Î÷åíü ñòðàøíûå èñòîðèè / Best Horror Stories

-best-horror-stories
Òèï:Êíèãà
Öåíà:139.00 ðóá.
Èçäàòåëüñòâî: Ýêñìî
Ãîä èçäàíèÿ: 2017
Ïðîñìîòðû: 240
Ñêà÷àòü îçíàêîìèòåëüíûé ôðàãìåíò
ÊÓÏÈÒÜ È ÑÊÀ×ÀÒÜ ÇÀ: 139.00 ðóá. ×ÒÎ ÊÀ×ÀÒÜ è ÊÀÊ ×ÈÒÀÒÜ
Î÷åíü ñòðàøíûå èñòîðèè / Best Horror Stories Ìîíòåãþ Ðîäñ Äæåéìñ Àìáðîç Áèðñ Áðýì Ñòîêåð Ýäâàðä Ôðåäåðèê Áåíñîí Ôðåíñèñ Ìýðèîí Êðîóôîðä Àðòóð Êîíàí Äîéë Ýäãàð Àëëàí Ïî Ìàðèíà Àíàòîëüåâíà Ïîïîâåö Áåñòñåëëåð íà âñå âðåìåíà ×òåíèå îðèãèíàëüíûõ ïðîèçâåäåíèé – ïðîñòîé è äåéñòâåííûé ñïîñîá ïîãðóçèòüñÿ â ÿçûêîâóþ ñðåäó è ñîâåðøåíñòâîâàòüñÿ â èíîñòðàííîì ÿçûêå. Ñåðèÿ «Áåñòñåëëåð íà âñå âðåìåíà» – ýòî âîçìîæíîñòü óëó÷øèòü ñâîé àíãëèéñêèé, ÷èòàÿ ëó÷øèå ïðîèçâåäåíèÿ àíãëîÿçû÷íûõ àâòîðîâ, ëþáèìûå ìèëëèîíàìè ÷èòàòåëåé. Äëÿ ëó÷øåãî ïîíèìàíèÿ òåêñòà â êíèãó âêëþ÷åíû êðàòêèé ñëîâàðü è êîììåíòàðèè, ïîÿñíÿþùèå ÿçûêîâûå è ëèíãâîñòðàíîâåä÷åñêèå âîïðîñû, èñòîðè÷åñêèå è êóëüòóðíûå ðåàëèè îïèñûâàåìîé ýïîõè.  ýòîé êíèãå ñîáðàíû ñòðàøíûå èñòîðèè î òàèíñòâåííûõ ñèëàõ, íåâåðîÿòíûõ ñîáûòèÿõ è íåîáúÿñíèìûõ ÿâëåíèÿõ. Èõ àâòîðû çíàëè, êàê íàãíåòàòü íàïðÿæåíèå è çàêðó÷èâàòü ñþæåòû. Ñðåäè íèõ Ý. À. Ïî, Áðýì Ñòîêåð, Àðòóð Êîíàí Äîéëü, Àìáðîç Áèðñ, Ì. Ä. Ðîäñ, Ô. Ì. Êðîóôîðä, Ý. Ô. Áåíñîí. Îòîðâàòüñÿ îò ÷òåíèÿ íåâîçìîæíî, è ïóãàþùèå èñòîðèè ïîðàäóþò çàìåòíûì ïðîãðåññîì â àíãëèéñêîì ÿçûêå. Êíèãà ïðåäíàçíà÷åíà äëÿ òåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê íà ïðîäîëæàþùåì èëè ïðîäâèíóòîì óðîâíå è ñòðåìèòñÿ ê åãî ñîâåðøåíñòâîâàíèþ. Ýäãàð Ïî, Áðýì Ñòîêåð, À. Êîíàí Äîéëü è äð. / Edgar Ðîå, Bram Stoker, A. Conan Doyle and others Î÷åíü ñòðàøíûå èñòîðèè / Best Horror Stories Êîììåíòàðèè è ñëîâàðü Ì. Ïîïîâåö © ÎÎÎ «Èçäàòåëüñòâî «Ýêñìî», 2017 * * * ×èòàéòå «Áåñòñåëëåð íà âñå âðåìåíà» – ïîãðóçèòåñü â ÿçûêîâóþ ñðåäó ñ ëó÷øèìè ïðîèçâåäåíèÿìè ëþáèìûõ àâòîðîâ! «ßçûêîâàÿ êîìïåòåíöèÿ – âåùü êàïðèçíàÿ. Ýòî êàê áàëåò, êàê óìåíèå èãðàòü íà ìóçûêàëüíîì èíñòðóìåíòå, êàê ãèìíàñòèêà, êàê ëþáîå äåéñòâèå, êîòîðîå òðåáóåò íàâûêà. Ëèáî âû èäåòå âïåðåä, ëèáî íà÷èíàåòå ñïîëçàòü íàçàä. À ñàìîå ãëàâíîå – íå ïðåêðàùàòü èçó÷åíèå ÿçûêà. Ýòî ìîæåò áûòü ÷òåíèå îðèãèíàëüíîé ëèòåðàòóðû. Ëþáèòå ÷èòàòü ïðî ëþáîâü – ÷èòàéòå ïðî ëþáîâü, ëþáèòå ôàíòàñòèêó – ÷èòàéòå ôàíòàñòèêó. Íî ÷èòàéòå îáÿçàòåëüíî!»     Í. À. Áîíê, ëèíãâèñò, ïåäàãîã, àâòîð íàèáîëåå ïîïóëÿðíûõ â Ðîññèè ó÷åáíèêîâ àíãëèéñêîãî ÿçûêà E.F. Benson The Room in the Tower It is probable that everybody who is at all a constant dreamer has had at least one experience of an event or a sequence of circumstances which have come to his mind in sleep being subsequently realized in the material world. But, in my opinion, so far from this being a strange thing, it would be far odder if this fulfilment did not occasionally happen, since our dreams are, as a rule, concerned with people whom we know and places with which we are familiar, such as might very naturally occur in the awake and daylit world. True, these dreams are often broken into by some absurd and fantastic incident, which puts them out of court in regard to their subsequent fulfilment, but on the mere calculation of chances, it does not appear in the least unlikely that a dream imagined by anyone who dreams constantly should occasionally come true. Not long ago, for instance, I experienced such a fulfilment of a dream which seems to me in no way remarkable and to have no kind of psychical significance. The manner of it was as follows. A certain friend of mine, living abroad, is amiable enough to write to me about once in a fortnight. Thus, when fourteen days or thereabouts have elapsed since I last heard from him, my mind, probably, either consciously or subconsciously, is expectant of a letter from him. One night last week I dreamed that as I was going upstairs to dress for dinner I heard, as I often heard, the sound of the postman’s knock on my front door, and diverted my direction downstairs instead. There, among other correspondence, was a letter from him. Thereafter the fantastic entered, for on opening it I found inside the ace of diamonds,[1 - the ace of diamonds – áóáíîâûé òóç (diamonds – áóáíû, îäíà èç 4-õ êàðòî÷íûõ ìàñòåé. Clubs – òðåôû, hearts – ÷åðâè, spades – ïèêè).] and scribbled across it in his well-known handwriting, ‘I am sending you this for safe custody, as you know it is running an unreasonable risk to keep aces in Italy.’ The next evening I was just preparing to go upstairs to dress when I heard the postman’s knock, and did precisely as I had done in my dream. There, among other letters, was one from my friend. Only it did not contain the ace of diamonds. Had it done so, I should have attached more weight to the matter, which, as it stands, seems to me a perfectly ordinary coincidence. No doubt I consciously or subconsciously expected a letter from him, and this suggested to me my dream. Similarly, the fact that my friend had not written to me for a fortnight suggested to him that he should do so. But occasionally it is not so easy to find such an explanation, and for the following story I can find no explanation at all. It came out of the dark, and into the dark it has gone again. All my life I have been a habitual dreamer: the nights are few, that is to say, when I do not find on awaking in the morning that some mental experience has been mine, and sometimes, all night long, apparently, a series of the most dazzling adventures befall me. Almost without exception these adventures are pleasant, though often merely trivial. It is of an exception that I am going to speak. It was when I was about sixteen that a certain dream first came to me, and this is how it befell. It opened with my being set down at the door of a big red-brick house, where, I understood, I was going to stay. The servant who opened the door told me that tea was being served in the garden, and led me through a low dark-panelled hall, with a large open fireplace, on to a cheerful green lawn set round with flower beds. There were grouped about the tea-table a small party of people, but they were all strangers to me except one, who was a schoolfellow called Jack Stone, clearly the son of the house, and he introduced me to his mother and father and a couple of sisters. I was, I remember, somewhat astonished to find myself here, for the boy in question was scarcely known to me, and I rather disliked what I knew of him; moreover, he had left school nearly a year before. The afternoon was very hot, and an intolerable oppression reigned. On the far side of the lawn ran a red-brick wall, with an iron gate in its center, outside which stood a walnut tree. We sat in the shadow of the house opposite a row of long windows, inside which I could see a table with cloth laid, glimmering with glass and silver. This garden front of the house was very long, and at one end of it stood a tower of three stories, which looked to me much older than the rest of the building. Before long, Mrs. Stone, who, like the rest of the party, had sat in absolute silence, said to me, ‘Jack will show you your room: I have given you the room in the tower.’ Quite inexplicably my heart sank at her words. I felt as if I had known that I should have the room in the tower, and that it contained something dreadful and significant. Jack instantly got up, and I understood that I had to follow him. In silence we passed through the hall, and mounted a great oak staircase with many corners, and arrived at a small landing with two doors set in it. He pushed one of these open for me to enter, and without coming in himself, closed it after me. Then I knew that my conjecture had been right: there was something awful in the room, and with the terror of nightmare growing swiftly and enveloping me, I awoke in a spasm of terror. Now that dream or variations on it occurred to me intermittently for fifteen years. Most often it came in exactly this form, the arrival, the tea laid out on the lawn, the deadly silence succeeded by that one deadly sentence, the mounting with Jack Stone up to the room in the tower where horror dwelt, and it always came to a close in the nightmare of terror at that which was in the room, though I never saw what it was. At other times I experienced variations on this same theme. Occasionally, for instance, we would be sitting at dinner in the dining-room, into the windows of which I had looked on the first night when the dream of this house visited me, but wherever we were, there was the same silence, the same sense of dreadful oppression and foreboding. And the silence I knew would always be broken by Mrs. Stone saying to me, ‘Jack will show you your room: I have given you the room in the tower.’ Upon which (this was invariable) I had to follow him up the oak staircase with many corners, and enter the place that I dreaded more and more each time that I visited it in sleep. Or, again, I would find myself playing cards still in silence in a drawing-room lit with immense chandeliers, that gave a blinding illumination. What the game was I have no idea; what I remember, with a sense of miserable anticipation, was that soon Mrs. Stone would get up and say to me, ‘Jack will show you your room: I have given you the room in the tower.’ This drawing-room where we played cards was next to the dining-room, and, as I have said, was always brilliantly illuminated, whereas the rest of the house was full of dusk and shadows. And yet, how often, in spite of those bouquets of lights, have I not pored over the cards that were dealt me, scarcely able for some reason to see them. Their designs, too, were strange: there were no red suits, but all were black, and among them there were certain cards which were black all over. I hated and dreaded those. As this dream continued to recur, I got to know the greater part of the house. There was a smoking-room beyond the drawing-room, at the end of a passage with a green baize door. It was always very dark there, and as often as I went there I passed somebody whom I could not see in the doorway coming out. Curious developments, too, took place in the characters that peopled the dream as might happen to living persons. Mrs. Stone, for instance, who, when I first saw her, had been black-haired, became gray, and instead of rising briskly, as she had done at first when she said, ‘Jack will show you your room: I have given you the room in the tower,’ got up very feebly, as if the strength was leaving her limbs. Jack also grew up, and became a rather ill-looking young man, with a brown moustache, while one of the sisters ceased to appear, and I understood she was married. Then it so happened that I was not visited by this dream for six months or more, and I began to hope, in such inexplicable dread did I hold it, that it had passed away for good. But one night after this interval I again found myself being shown out onto the lawn for tea, and Mrs. Stone was not there, while the others were all dressed in black. At once I guessed the reason, and my heart leaped at the thought that perhaps this time I should not have to sleep in the room in the tower, and though we usually all sat in silence, on this occasion the sense of relief made me talk and laugh as I had never yet done. But even then matters were not altogether comfortable, for no one else spoke, but they all looked secretly at each other. And soon the foolish stream of my talk ran dry, and gradually an apprehension worse than anything I had previously known gained on me as the light slowly faded. Suddenly a voice which I knew well broke the stillness, the voice of Mrs. Stone, saying, ‘Jack will show you your room: I have given you the room in the tower.’ It seemed to come from near the gate in the red-brick wall that bounded the lawn, and looking up, I saw that the grass outside was sown thick with gravestones. A curious greyish light shone from them, and I could read the lettering on the grave nearest me, and it was, ‘In evil memory of Julia Stone.’[2 - ‘In evil memory of Julia Stone.’ – «Íåäîáðîé ïàìÿòè Äæóëèè Ñòîóí», àëëþçèÿ íà îáû÷íóþ íàäãðîáíóþ íàäïèñü “In good memory of…”] And as usual Jack got up, and again I followed him through the hall and up the staircase with many corners. On this occasion it was darker than usual, and when I passed into the room in the tower I could only just see the furniture, the position of which was already familiar to me. Also there was a dreadful odor of decay in the room, and I woke screaming. The dream, with such variations and developments as I have mentioned, went on at intervals for fifteen years. Sometimes I would dream it two or three nights in succession; once, as I have said, there was an intermission of six months, but taking a reasonable average, I should say that I dreamed it quite as often as once in a month. It had, as is plain, something of nightmare about it, since it always ended in the same appalling terror, which so far from getting less, seemed to me to gather fresh fear every time that I experienced it. There was, too, a strange and dreadful consistency about it. The characters in it, as I have mentioned, got regularly older, death and marriage visited this silent family, and I never in the dream, after Mrs. Stone had died, set eyes on her again. But it was always her voice that told me that the room in the tower was prepared for me, and whether we had tea out on the lawn, or the scene was laid in one of the rooms overlooking it, I could always see her gravestone standing just outside the iron gate. It was the same, too, with the married daughter; usually she was not present, but once or twice she returned again, in company with a man, whom I took to be her husband. He, too, like the rest of them, was always silent. But, owing to the constant repetition of the dream, I had ceased to attach, in my waking hours, any significance to it. I never met Jack Stone again during all those years, nor did I ever see a house that resembled this dark house of my dream. And then something happened. I had been in London in this year, up till the end of the July, and during the first week in August went down to stay with a friend in a house he had taken for the summer months, in the Ashdown Forest district of Sussex. I left London early, for John Clinton was to meet me at Forest Row Station, and we were going to spend the day golfing, and go to his house in the evening. He had his motor with him, and we set off, about five of the afternoon, after a thoroughly delightful day, for the drive, the distance being some ten miles. As it was still so early we did not have tea at the club house, but waited till we should get home. As we drove, the weather, which up till then had been, though hot, deliciously fresh, seemed to me to alter in quality, and become very stagnant and oppressive, and I felt that indefinable sense of ominous apprehension that I am accustomed to before thunder. John, however, did not share my views, attributing my loss of lightness to the fact that I had lost both my matches. Events proved, however, that I was right, though I do not think that the thunderstorm that broke that night was the sole cause of my depression. Our way lay through deep high-banked lanes, and before we had gone very far I fell asleep, and was only awakened by the stopping of the motor. And with a sudden thrill, partly of fear but chiefly of curiosity, I found myself standing in the doorway of my house of dream. We went, I half wondering whether or not I was dreaming still, through a low oak-panelled hall, and out onto the lawn, where tea was laid in the shadow of the house. It was set in flower beds, a red-brick wall, with a gate in it, bounded one side, and out beyond that was a space of rough grass with a walnut tree. The facade of the house was very long, and at one end stood a three-storied tower, markedly older than the rest. Here for the moment all resemblance to the repeated dream ceased. There was no silent and somehow terrible family, but a large assembly of exceedingly cheerful persons, all of whom were known to me. And in spite of the horror with which the dream itself had always filled me, I felt nothing of it now that the scene of it was thus reproduced before me. But I felt intensest curiosity as to what was going to happen. Tea pursued its cheerful course, and before long Mrs. Clinton got up. And at that moment I think I knew what she was going to say. She spoke to me, and what she said was: ‘Jack will show you your room: I have given you the room in the tower.’ At that, for half a second, the horror of the dream took hold of me again. But it quickly passed, and again I felt nothing more than the most intense curiosity. It was not very long before it was amply satisfied. John turned to me. ‘Right up at the top of the house,’ he said, ‘but I think you’ll be comfortable. We’re absolutely full up. Would you like to go and see it now? By Jove, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.’ I got up and followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs. Stone, whose grave with the sinister inscription, ‘In evil memory,’ I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar. I looked around it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me. It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, ‘Julia Stone by Julia Stone.’ There came a tap at the door, and John Clinton entered. ‘Got everything you want?’ he asked. ‘Rather more than I want,’ said I, pointing to the picture. He laughed. ‘Hard-featured old lady,’ he said. ‘By herself, too, I remember. Anyhow she can’t have flattered herself much.’ ‘But don’t you see?’ said I. ‘It’s scarcely a human face at all. It’s the face of some witch, of some devil.’ He looked at it more closely. ‘Yes; it isn’t very pleasant,’ he said. ‘Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.’ ‘I really wish you would,’ I said. He rang the bell, and with the help of a servant we detached the picture and carried it out onto the landing, and put it with its face to the wall. ‘By Jove, the old lady is a weight,’ said John, mopping his forehead. ‘I wonder if she had something on her mind.’ The extraordinary weight of the picture had struck me too. I was about to reply, when I caught sight of my own hand. There was blood on it, in considerable quantities, covering the whole palm. ‘I’ve cut myself somehow,’ said I. John gave a little startled exclamation. ‘Why, I have too,’ he said. Simultaneously the footman took out his handkerchief and wiped his hand with it. I saw that there was blood also on his handkerchief. John and I went back into the tower room and washed the blood off; but neither on his hand nor on mine was there the slightest trace of a scratch or cut. It seemed to me that, having ascertained this, we both, by a sort of tacit consent, did not allude to it again. Something in my case had dimly occurred to me that I did not wish to think about. It was but a conjecture, but I fancied that I knew the same thing had occurred to him. The heat and oppression of the air, for the storm we had expected was still undischarged, increased very much after dinner, and for some time most of the party, among whom were John Clinton and myself, sat outside on the path bounding the lawn, where we had had tea. The night was absolutely dark, and no twinkle of star or moon ray could penetrate the pall of cloud that overset the sky. By degrees our assembly thinned, the women went up to bed, men dispersed to the smoking or billiard room, and by eleven o’clock my host and I were the only two left. All the evening I thought that he had something on his mind, and as soon as we were alone he spoke. ‘The man who helped us with the picture had blood on his hand, too, did you notice?’ he said. ‘I asked him just now if he had cut himself, and he said he supposed he had, but that he could find no mark of it. Now where did that blood come from?’ By dint of telling myself that I was not going to think about it, I had succeeded in not doing so, and I did not want, especially just at bedtime, to be reminded of it. ‘I don’t know,’ said I, ‘and I don’t really care so long as the picture of Mrs. Stone is not by my bed.’ He got up. ‘But it’s odd,’ he said. ‘Ha! Now you’ll see another odd thing.’ A dog of his, an Irish terrier by breed, had come out of the house as we talked. The door behind us into the hall was open, and a bright oblong of light shone across the lawn to the iron gate which led on to the rough grass outside, where the walnut tree stood. I saw that the dog had all his hackles up, bristling with rage and fright; his lips were curled back from his teeth, as if he was ready to spring at something, and he was growling to himself. He took not the slightest notice of his master or me, but stiffly and tensely walked across the grass to the iron gate. There he stood for a moment, looking through the bars and still growling. Then of a sudden his courage seemed to desert him: he gave one long howl, and scuttled back to the house with a curious crouching sort of movement. ‘He does that half-a-dozen times a day.’ said John. ‘He sees something which he both hates and.fears.’ I walked to the gate and looked over it. Something was moving on the grass outside, and soon a sound which I could not instantly identify came to my ears. Then I remembered what it was: it was the purring of a cat. I lit a match, and saw the purrer, a big blue Persian, walking round and round in a little circle just outside the gate, stepping high and ecstatically, with tail carried aloft like a banner. Its eyes were bright and shining, and every now and then it put its head down and sniffed at the grass. I laughed. ‘The end of that mystery, I am afraid.’ I said. ‘Here’s a large cat having Walpurgis night[3 - Walpurgis night – Âàëüïóðãèåâà íî÷ü (ñ 30 àïðåëÿ íà 1 ìàÿ), ïî ïðåäàíèÿì – âðåìÿ, êîãäà íå÷èñòàÿ ñèëà (âåäüìû è ïð.) ñîáèðàåòñÿ íà øàáàø.] all alone.’ ‘Yes, that’s Darius,’ said John. ‘He spends half the day and all night there. But that’s not the end of the dog mystery, for Toby and he are the best of friends, but the beginning of the cat mystery. What’s the cat doing there? And why is Darius pleased, while Toby is terror-stricken?’ At that moment I remembered the rather horrible detail of my dreams when I saw through the gate, just where the cat was now, the white tombstone with the sinister inscription. But before I could answer the rain began, as suddenly and heavily as if a tap had been turned on, and simultaneously the big cat squeezed through the bars of the gate, and came leaping across the lawn to the house for shelter. Then it sat in the doorway, looking out eagerly into the dark. It spat and struck at John with its paw, as he pushed it in, in order to close the door. Somehow, with the portrait of Julia Stone in the passage outside, the room in the tower had absolutely no alarm for me, and as I went to bed, feeling very sleepy and heavy, I had nothing more than interest for the curious incident about our bleeding hands, and the conduct of the cat and dog. The last thing I looked at before I put out my light was the square empty space by my bed where the portrait had been. Here the paper was of its original full tint of dark red: over the rest of the walls it had faded. Then I blew out my candle and instantly fell asleep. My awaking was equally instantaneous, and I sat bolt upright in bed under the impression that some bright light had been flashed in my face, though it was now absolutely pitch dark. I knew exactly where I was, in the room which I had dreaded in dreams, but no horror that I ever felt when asleep approached the fear that now invaded and froze my brain. Immediately after a peal of thunder crackled just above the house, but the probability that it was only a flash of lightning which awoke me gave no reassurance to my galloping heart. Something I knew was in the room with me, and instinctively I put out my right hand, which was nearest the wall, to keep it away. And my hand touched the edge of a picture-frame hanging close to me. I sprang out of bed, upsetting the small table that stood by it, and I heard my watch, candle, and matches clatter onto the floor. But for the moment there was no need of light, for a blinding flash leaped out of the clouds, and showed me that by my bed again hung the picture of Mrs. Stone. And instantly the room went into blackness again. But in that flash I saw another thing also, namely a figure that leaned over the end of my bed, watching me. It was dressed in some close-clinging white garment, spotted and stained with mold, and the face was that of the portrait. Overhead the thunder cracked and roared, and when it ceased and the deathly stillness succeeded, I heard the rustle of movement coming nearer me, and, more horrible yet, perceived an odor of corruption and decay. And then a hand was laid on the side of my neck, and close beside my ear I heard quick-taken, eager breathing. Yet I knew that this thing, though it could be perceived by touch, by smell, by eye and by ear, was still not of this earth, but something that had passed out of the body and had power to make itself manifest. Then a voice, already familiar to me, spoke. ‘I knew you would come to the room in the tower,’ it said. ‘I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.’ And the quick breathing came closer to me; I could feel it on my neck. At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs. ‘What is it?’ he said. ‘I sleep just below you, and heard a noise as if – Good heavens, there’s blood on your shoulder.’ I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there. ‘It’s in there,’ I said, pointing. ‘She, you know. The portrait is in there, too, hanging up on the place we took it from.’ At that he laughed. ‘My dear fellow, this is mere nightmare,’ he said. He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move. ‘Phew! What an awful smell,’ he said. Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it. ‘Yes, the portrait’s there,’ he said, ‘and on the floor is a thing – a thing spotted with earth, like what they bury people in. Come away, quick, come away.’ How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described. The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone. Subsequently the body was again secretly dug up, and the coffin was found to be full of blood. Ambrose Bierce The Boarded Window In 1820, only a few miles away from what is now the great city of Cincinnati, lay an immense and almost unbroken forest. The whole region was sparsely settled by people of the frontier – restless souls who no sooner had hewn fairly habitable homes out of the wilderness and attained to that degree of prosperity which today we should call indigence, than, impelled by some mysterious impulse of their nature, they abandoned all and pushed farther westward, to encounter new perils and privations in the effort to regain the meager comforts which they had voluntarily renounced. Many of them had already forsaken that region for the remoter settlements, but among those remaining was one who had been of those first arriving. He lived alone in a house of logs surrounded on all sides by the great forest, of whose gloom and silence he seemed a part, for no one had ever known him to smile nor speak a needless word. His simple wants were supplied by the sale or barter of skins of wild animals in the river town, for not a thing did he grow upon the land which, if needful, he might have claimed by right of undisturbed possession. There were evidences of “improvement” – a few acres of ground immediately about the house had once been cleared of its trees, the decayed stumps of which were half concealed by the new growth that had been suffered to repair the ravage wrought by the ax. Apparently the man’s zeal for agriculture had burned with a failing flame, expiring in penitential ashes. The little log house, with its chimney of sticks, its roof of warping clapboards weighted with traversing poles and its “chinking” of clay, had a single door and, directly opposite, a window. The latter, however, was boarded up – nobody could remember a time when it was not. And none knew why it was so closed; certainly not because of the occupant’s dislike of light and air, for on those rare occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning himself on his doorstep if heaven had provided sunshine for his need. I fancy there are few persons living today who ever knew the secret of that window, but I am one, as you shall see. The man’s name was said to be Murlock. He was apparently seventy years old, actually about fifty. Something besides years had had a hand in his aging. His hair and long, full beard were white, his gray, lusterless eyes sunken, his face singularly seamed with wrinkles which appeared to belong to two intersecting systems. In figure he was tall and spare, with a stoop of the shoulders – a burden bearer. I never saw him; these particulars I learned from my grandfather, from whom also I got the man’s story when I was a lad. He had known him when living near by in that early day. One day Murlock was found in his cabin, dead. It was not a time and place for coroners and newspapers, and I suppose it was agreed that he had died from natural causes or I should have been told, and should remember. I know only that with what was probably a sense of the fitness of things the body was buried near the cabin, alongside the grave of his wife, who had preceded him by so many years that local tradition had retained hardly a hint of her existence. That closes the final chapter of this true story – excepting, indeed, the circumstance that many years afterward, in company with an equally intrepid spirit, I penetrated to the place and ventured near enough to the ruined cabin to throw a stone against it, and ran away to avoid the ghost which every well-informed boy thereabout knew haunted the spot. But there is an earlier chapter – that supplied by my grandfather. When Murlock built his cabin and began laying sturdily about with his ax to hew out a farm – the rifle, meanwhile, his means of support – he was young, strong and full of hope. In that eastern country whence he came he had married, as was the fashion, a young woman in all ways worthy of his honest devotion, who shared the dangers and privations of his lot with a willing spirit and light heart. There is no known record of her name; of her charms of mind and person tradition is silent and the doubter is at liberty to entertain his doubt; but God forbid that I should share it! Of their affection and happiness there is abundant assurance in every added day of the man’s widowed life; for what but the magnetism of a blessed memory could have chained that venturesome spirit to a lot like that? One day Murlock returned from gunning in a distant part of the forest to find his wife prostrate with fever, and delirious. There was no physician within miles, no neighbor; nor was she in a condition to be left, to summon help. So he set about the task of nursing her back to health, but at the end of the third day she fell into unconsciousness and so passed away, apparently, with never a gleam of returning reason. From what we know of a nature like his we may venture to sketch in some of the details of the outline picture drawn by my grandfather. When convinced that she was dead, Murlock had sense enough to remember that the dead must be prepared for burial. In performance of this sacred duty he blundered now and again, did certain things incorrectly, and others which he did correctly were done over and over. His occasional failures to accomplish some simple and ordinary act filled him with astonishment, like that of a drunken man who wonders at the suspension of familiar natural laws. He was surprised, too, that he did not weep – surprised and a little ashamed; surely it is unkind not to weep for the dead. “Tomorrow,” he said aloud, “I shall have to make the coffin and dig the grave; and then I shall miss her, when she is no longer in sight; but now – she is dead, of course, but it is all right – it must be all right, somehow. Things cannot be so bad as they seem.” He stood over the body in the fading light, adjusting the hair and putting the finishing touches to the simple toilet, doing all mechanically, with soulless care. And still through his consciousness ran an undersense of conviction that all was right – that he should have her again as before, and everything explained. He had had no experience in grief; his capacity had not been enlarged by use. His heart could not contain it all, nor his imagination rightly conceive it. He did not know he was so hard struck; that knowledge would come later, and never go. Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs. We may conceive Murlock to have been that way affected, for (and here we are upon surer ground than that of conjecture) no sooner had he finished his pious work than, sinking into a chair by the side of the table upon which the body lay, and noting how white the profile showed in the deepening gloom, he laid his arms upon the table’s edge, and dropped his face into them, tearless yet and unutterably weary. At that moment came in through the open window a long, wailing sound like the cry of a lost child in the far deeps of the darkening woods! But the man did not move. Again, and nearer than before, sounded that unearthly cry upon his failing sense. Perhaps it was a wild beast; perhaps it was a dream. For Murlock was asleep. Some hours later, as it afterward appeared, this unfaithful watcher awoke and lifting his head from his arms intently listened – he knew not why. There in the black darkness by the side of the dead, recalling all without a shock, he strained his eyes to see – he knew not what. His senses were all alert, his breath was suspended, his blood had stilled its tides as if to assist the silence. Who – what had waked him, and where was it? Suddenly the table shook beneath his arms, and at the same moment he heard, or fancied that he heard, a light, soft step – another – sounds as of bare feet upon the floor! He was terrified beyond the power to cry out or move. Perforce he waited – waited there in the darkness through seeming centuries of such dread as one may know, yet live to tell. He tried vainly to speak the dead woman’s name, vainly to stretch forth his hand across the table to learn if she were there. His throat was powerless, his arms and hands were like lead. Then occurred something most frightful. Some heavy body seemed hurled against the table with an impetus that pushed it against his breast so sharply as nearly to overthrow him, and at the same instant he heard and felt the fall of something upon the floor with so violent a thump that the whole house was shaken by the impact. A scuffling ensued, and a confusion of sounds impossible to describe. Murlock had risen to his feet. Fear had by excess forfeited control of his faculties. He flung his hands upon the table. Nothing was there! There is a point at which terror may turn to madness; and madness incites to action. With no definite intent, from no motive but the wayward impulse of a madman, Murlock sprang to the wall, with a little groping seized his loaded rifle, and without aim discharged it. By the flash which lit up the room with a vivid illumination, he saw an enormous panther dragging the dead woman toward the window, its teeth fixed in her throat! Then there were darkness blacker than before, and silence; and when he returned to consciousness the sun was high and the wood vocal with songs of birds. The body lay near the window, where the beast had left it when frightened away by the flash and report of the rifle. The clothing was deranged, the long hair in disorder, the limbs lay anyhow. From the throat, dreadfully lacerated, had issued a pool of blood not yet entirely coagulated. The ribbon with which he had bound the wrists was broken; the hands were tightly clenched. Between the teeth was a fragment of the animal’s ear. John Bartine’s Watch Story by a Physician ‘The exact time? Good God! my friend, why do you insist? One would think – but what does it matter; it is easily bedtime – isn’t that near enough? But, here, if you must set your watch, take mine and see for yourself.’ With that he detached his watch – a tremendously heavy, old-fashioned one – from the chain, and handed it to me; then turned away, and walking across the room to a shelf of books, began an examination of their backs. His agitation and evident distress surprised me; they appeared reasonless. Having set my watch by his, I stepped over to where he stood and said, ‘Thank you.’ As he took his timepiece and reattached it to the guard I observed that his hands were unsteady. With a tact upon which I greatly prided myself, I sauntered carelessly to the sideboard and took some brandy and water; then, begging his pardon for my thoughtlessness, asked him to have some and went back to my seat by the fire, leaving him to help himself, as was our custom. He did so and presently joined me at the hearth, as tranquil as ever. This odd little incident occurred in my apartment, where John Bartine was passing an evening. We had dined together at the club, had come home in a cab and – in short, everything had been done in the most prosaic way; and why John Bartine should break in upon the natural and established order of things to make himself spectacular with a display of emotion, apparently for his own entertainment, I could nowise understand. The more I thought of it, while his brilliant conversational gifts were commending themselves to my inattention, the more curious I grew, and of course had no difficulty in persuading myself that my curiosity was friendly solicitude. That is the disguise that curiosity usually assumes to evade resentment. So I ruined one of the finest sentences of his disregarded monologue by cutting it short without ceremony. ‘John Bartine,’ I said, ‘you must try to forgive me if I am wrong, but with the light that I have at present I cannot concede your right to go all to pieces when asked the time o’ night. I cannot admit that it is proper to experience a mysterious reluctance to look your own watch in the face and to cherish in my presence, without explanation, painful emotions which are denied to me, and which are none of my business.’ To this ridiculous speech Bartine made no immediate reply, but sat looking gravely into the fire. Fearing that I had offended I was about to apologize and beg him to think no more about the matter, when looking me calmly in the eyes he said: ‘My dear fellow, the levity of your manner does not at all disguise the hideous impudence of your demand; but happily I had already decided to tell you what you wish to know, and no manifestation of your unworthiness to hear it shall alter my decision. Be good enough to give me your attention and you shall hear all about the matter. ‘This watch,’ he said, ‘had been in my family for three generations before it fell to me. Its original owner, for whom it was made, was my great-grandfather, Bramwell Olcott Bartine, a wealthy planter of Colonial Virginia, and as stanch a Tory as ever lay awake nights contriving new kinds of maledictions for the head of Mr. Washington, and new methods of aiding and abetting good King George.[4 - as stanch a Tory as ever lay awake nights contriving new kinds of maledictions for the head of Mr. Washington, and new methods of aiding and abetting good King George – ïðåäàííûé, êàê íèêîãäà, òîðè, êîòîðûé íå ñïàë íî÷àìè, ïðèäóìûâàÿ âñå íîâûå ïðîêëÿòèÿ íà ãîëîâó Âàøèíãòîíà è íîâûå ñïîñîáû ïîääåðæêè è ïîìîùè äëÿ äîáðîãî êîðîëÿ Ãåîðãà. Òîðè – àíãëèéñêàÿ ïîëèòè÷åñêàÿ ïàðòèÿ, ïîÿâèëàñü â êîíöå 1660 õ ãã., âûñòóïàëà çà àáñîëþòíóþ âëàñòü êîðîëÿ, è, ñîîòâåòñòâåííî, ïðîòèâ íåçàâèñèìîñòè Àìåðèêè, áîðüáó çà êîòîðóþ âîçãëàâèë Äæîðäæ Âàøèíãòîí.] One day this worthy gentleman had the deep misfortune to perform for his cause a service of capital importance which was not recognized as legitimate by those who suffered its disadvantages. It does not matter what it was, but among its minor consequences was my excellent ancestor’s arrest one night in his own house by a party of Mr. Washington’s rebels. He was permitted to say farewell to his weeping family, and was then marched away into the darkness which swallowed him up forever. Not the slenderest clew[5 - clew – î÷åâèäíî, clue – «ïîäñêàçêà, êëþ÷ ê ðàçãàäêå».] to his fate was ever found. After the war the most diligent inquiry and the offer of large rewards failed to turn up any of his captors or any fact concerning his disappearance. He had disappeared, and that was all.’ Something in Bartine’s manner that was not in his words – I hardly knew what it was – prompted me to ask: ‘What is your view of the matter – of the justice of it?’ ‘My view of it,’ he flamed out, bringing his clenched hand down upon the table as if he had been in a public house dicing with blackguards – ‘my view of it is that it was a characteristically dastardly assassination by that damned traitor, Washington, and his ragamuffin rebels!’ For some minutes nothing was said: Bartine was recovering his temper, and I waited. Then I said: ‘Was that all?’ ‘No – there was something else. A few weeks after my great-grandfather’s arrest his watch was found lying on the porch at the front door of his dwelling. It was wrapped in a sheet of letter paper bearing the name of Rupert Bartine, his only son, my grandfather. I am wearing that watch.’ Bartine paused. His usually restless black eyes were staring fixedly into the grate, a point of red light in each, reflected from the glowing coals. He seemed to have forgotten me. A sudden threshing of the branches of a tree outside one of the windows, and almost at the same instant a rattle of rain against the glass, recalled him to a sense of his surroundings. A storm had risen, heralded by a single gust of wind, and in a few moments the steady plash of the water on the pavement was distinctly heard. I hardly know why I relate this incident; it seemed somehow to have a certain significance and relevancy which I am unable now to discern. It at least added an element of seriousness, almost solemnity. Bartine resumed: ‘I have a singular feeling toward this watch – a kind of affection for it; I like to have it about me, though partly from its weight, and partly for a reason I shall now explain, I seldom carry it. The reason is this: Every evening when I have it with me I feel an unaccountable desire to open and consult it, even if I can think of no reason for wishing to know the time. But if I yield to it, the moment my eyes rest upon the dial I am filled with a mysterious apprehension – a sense of imminent calamity. And this is the more insupportable the nearer it is to eleven o’clock – by this watch, no matter what the actual hour may be. After the hands have registered eleven the desire to look is gone; I am entirely indifferent. Then I can consult the thing as often as I like, with no more emotion than you feel in looking at your own. Naturally I have trained myself not to look at that watch in the evening before eleven; nothing could induce me. Your insistence this evening upset me a trifle. I felt very much as I suppose an opium-eater might feel if his yearning for his special and particular kind of hell were re-enforced by opportunity and advice. ‘Now that is my story, and I have told it in the interest of your trumpery science; but if on any evening hereafter you observe me wearing this damnable watch, and you have the thoughtfulness to ask me the hour, I shall beg leave to put you to the inconvenience of being knocked down.’ His humor did not amuse me. I could see that in relating his delusion he was again somewhat disturbed. His concluding smile was positively ghastly, and his eyes had resumed something more than their old restlessness; they shifted hither and thither about the room with apparent aimlessness and I fancied had taken on a wild expression, such as is sometimes observed in cases of dementia. Perhaps this was my own imagination, but at any rate I was now persuaded that my friend was afflicted with a most singular and interesting monomania. Without, I trust, any abatement of my affectionate solicitude for him as a friend, I began to regard him as a patient, rich in possibilities of profitable study. Why not? Had he not described his delusion in the interest of science? Ah, poor fellow, he was doing more for science than he knew: not only his story but himself was in evidence. I should cure him if I could, of course, but first I should make a little experiment in psychology – nay, the experiment itself might be a step in his restoration. ‘That is very frank and friendly of you, Bartine,’ I said cordially, ‘and I’m rather proud of your confidence. It is all very odd, certainly. Do you mind showing me the watch?’ He detached it from his waistcoat, chain and all, and passed it to me without a word. The case was of gold, very thick and strong, and singularly engraved. After closely examining the dial and observing that it was nearly twelve o’clock, I opened it at the back and was interested to observe an inner case of ivory, upon which was painted a miniature portrait in that exquisite and delicate manner which was in vogue during the eighteenth century. ‘Why, bless my soul!’ I exclaimed, feeling a sharp artistic delight – ‘how under the sun did you get that done? I thought miniature painting on ivory was a lost art.’ ‘That,’ he replied, gravely smiling, ‘is not I; it is my excellent great-grandfather, the late Bramwell Olcott Bartine, Esquire, of Virginia. He was younger then than later – about my age, in fact. It is said to resemble me; do you think so?’ ‘Resemble you? I should say so! Barring the costume, which I supposed you to have assumed out of compliment to the art – or for vraisemblance,[6 - vraisemblance – ïðàâäîïîäîáèå (ôð.).] so to say – and the no mustache, that portrait is you in every feature, line, and expression.’ No more was said at that time. Bartine took a book from the table and began reading. I heard outside the incessant plash of the rain in the street. There were occasional hurried footfalls on the sidewalks; and once a slower, heavier tread seemed to cease at my door – a policeman, I thought, seeking shelter in the doorway. The boughs of the trees tapped significantly on the window panes, as if asking for admittance. I remember it all through these years and years of a wiser, graver life. Seeing myself unobserved, I took the old-fashioned key that dangled from the chain and quickly turned back the hands of the watch a full hour; then, closing the case, I handed Bartine his property and saw him replace it on his person. ‘I think you said,’ I began, with assumed carelessness, ‘that after eleven the sight of the dial no longer affects you. As it is now nearly twelve’ – looking at my own timepiece – ‘perhaps, if you don’t resent my pursuit of proof, you will look at it now.’ He smiled good-humoredly, pulled out the watch again, opened it, and instantly sprang to his feet with a cry that Heaven has not had the mercy to permit me to forget! His eyes, their blackness strikingly intensified by the pallor of his face, were fixed upon the watch, which he clutched in both hands. For some time he remained in that attitude without uttering another sound; then, in a voice that I should not have recognized as his, he said: ‘Damn you! it is two minutes to eleven!’ I was not unprepared for some such outbreak, and without rising replied, calmly enough: ‘I beg your pardon; I must have misread your watch in setting my own by it.’ He shut the case with a sharp snap and put the watch in his pocket. He looked at me and made an attempt to smile, but his lower lip quivered and he seemed unable to close his mouth. His hands, also, were shaking, and he thrust them, clenched, into the pockets of his sack-coat. The courageous spirit was manifestly endeavoring to subdue the coward body. The effort was too great; he began to sway from side to side, as from vertigo, and before I could spring from my chair to support him his knees gave way and he pitched awkwardly forward and fell upon his face. I sprang to assist him to rise; but when John Bartine rises we shall all rise. The post-mortem examination disclosed nothing; every organ was normal and sound. But when the body had been prepared for burial a faint dark circle was seen to have developed around the neck; at least I was so assured by several persons who said they saw it, but of my own knowledge I cannot say if that was true. Nor can I set limitations to the law of heredity. I do not know that in the spiritual world a sentiment or emotion may not survive the heart that held it, and seek expression in a kindred life, ages removed. Surely, if I were to guess at the fate of Bramwell Olcott Bartine, I should guess that he was hanged at eleven o’clock in the evening, and that he had been allowed several hours in which to prepare for the change. As to John Bartine, my friend, my patient for five minutes, and – Heaven forgive me! – my victim for eternity, there is no more to say. He is buried, and his watch with him – I saw to that. May God rest his soul in Paradise, and the soul of his Virginian ancestor, if, indeed, they are two souls. Arthur Conan Doyle Lot No. 249 In a certain wing of what we will call Old College in Oxford there is a corner turret of an exceeding great age. The heavy arch which spans the open door has bent downwards in the centre under the weight of its years, and the grey, lichen-blotched blocks of stone are bound and knitted together with strands of ivy. From the door a stone stair curves upwards spirally, passing two landings, and terminating in a third one. In the month of May, in the year of 1884, three young men occupied the sets of rooms which opened on to the separate landings of the old stair. Each set consisted simply of a sitting-room and of a bedroom, while two corresponding rooms upon the ground-floor were used, the one as a coal-cellar, and the other as a living-room of the servant, or scout,[7 - scout – ñëóãà â Îêñôîðäñêîì è íåêîòîðûõ äðóãèõ óíèâåðñèòåòàõ.] Thomas Styles, whose duty it was to wait upon the three men above him. To the right and left was a line of lecture-rooms and of offices, so that the dwellers in the old turret enjoyed a certain seclusion, which made the chambers popular among the more studious undergraduates. Such were the three who occupied them now – Abercrombie Smith above, Edward Bellingham beneath him, and William Monkhouse Lee upon the lowest storey. It was ten o’clock on a bright spring night, and Abercrombie Smith lay back in his arm-chair, his feet upon the fender, and his briar-root pipe between his lips. In a similar chair, and equally at his ease, there lounged on the other side of the fireplace his old school friend Jephro Hastie. Both men were in flannels, for they had spent their evening upon the river, but apart from their dress no one could look at their hard-cut, alert faces without seeing that they were open-air men – men whose minds and tastes turned naturally to all that was manly and robust. Hastie, indeed, was stroke for his college boat, and Smith was an even better oar, but a coming examination had already cast its shadow over him and held him to his work, save for the few hours a week which health demanded. A litter of medical books upon the table, with scattered bones, models and anatomical plates, pointed to the extent as well as the nature of his studies, while a couple of single-sticks and a set of boxing-gloves above the mantelpiece hinted at the means by which, with Hastie’s help, he might take his exercise in its most compressed and least distant form. They knew each other very well – so well that they could sit now in that soothing silence which is the very highest development of companionship. ‘Have some whisky,’ said Abercrombie Smith at last between two cloudbursts. ‘Scotch in the jug and Irish in the bottle.’ ‘No, thanks. I’m in for the sculls. I don’t liquor when I’m training. How about you?’ ‘I’m reading hard. I think it best to leave it alone.’ Hastie nodded, and they relapsed into a contented silence. ‘By-the-way, Smith,’ asked Hastie, presently, have you made the acquaintance of either of the fellows on your stair yet?’ ‘Just a nod as we pass. Nothing more.’ ‘Hum! I should be inclined to let it stand at that. I know something of them both. Not much, but as much as I want. I don’t think I should take them to my bosom if I were you. Not that there’s much amiss with Monkhouse Lee.’ ‘Meaning the thin one?’ ‘Precisely. He is a gentlemanly little fellow. I don’t think there is any vice in him. But then you can’t know him without knowing Bellingham.’ ‘Meaning the fat one?’ ‘Yes, the fat one. And he’s a man whom I, for one, would rather not know.’ Abercrombie Smith raised his eyebrows and glanced across at his companion. ‘What’s up, then?’ he asked. ‘Drink? Cards? ‘ ‘Ah! you evidently don’t know the man, or you wouldn’t ask. There’s something damnable about him – something reptilian. He’s no fool, though. They say that he is one of the best men in his line that they have ever had in the college.’ ‘Medicine or classics?’ ‘Eastern languages. He’s a demon at them. ‘Why do you say you can’t know Lee without knowing Bellingham? ‘ ‘Because Bellingham is engaged to his sister Eveline. Such a bright little girl, Smith! I know the whole family well. It’s disgusting to see that brute with her. A toad and a dove, that’s what they always remind me of.’ Abercrombie Smith grinned and knocked his ashes out against the side of the grate. When Hastie had clattered off down the winding stair, Abercrombie Smith sat reading for about an hour, and the hands of the noisy carriage clock upon the side table were rapidly closing together upon the twelve, when a sudden sound fell upon the student’s ear – a sharp, rather shrill sound, like the hissing intake of a man’s breath who gasps under some strong emotion. Smith laid down his book and slanted his ear to listen. There was no one on either side or above him, so that the interruption came certainly from the neighbour beneath – the same neighbour of whom Hastie had given so unsavoury an account. There was no return of the singular sound, and Smith was about to turn to his work once more, when suddenly there broke out in the silence of the night a hoarse cry, a positive scream – the call of a man who is moved and shaken beyond all control. Smith sprang out of his chair and dropped his book. He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pronged his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head. Should he rush down, or was it better to wait? He had all the national hatred of making a scene, and he knew so little of his neighbour that he would not lightly intrude upon his affairs. For a moment he stood in doubt and even as he balanced the matter there was a quick rattle of footsteps upon the stairs, and young Monkhouse Lee, half dressed and as white as ashes, burst into his room. ‘Come down!’ he gasped. ‘Bellingham’s ill.’ Abercrombie Smith followed him closely down stairs into the sitting-room which was beneath his own, and intent as he was upon the matter in hand, he could not but take an amazed glance around him as he crossed the threshold. It was such a chamber as he had never seen before – a museum rather than a study. Walls and ceiling were thickly covered with a thousand strange relics from Egypt and the East. Tall, angular figures bearing burdens or weapons stalked in an uncouth frieze round the apartments. Above were bull-headed, stork-headed, cat-headed, owl-headed statues, with viper-crowned, almond-eyed monarchs, and strange, beetle-like deities cut out of the blue Egyptian lapis lazuli. Horus and Isis and Osiris peeped down from every niche and shelf, while across the ceiling a true son of the Old Nile, a great, hanging-jawed crocodile, was slung in a double noose. In the centre of this singular chamber was a large, square table, littered with papers, bottles, and the dried leaves of some graceful, palm-like plant. These varied objects had all been heaped together in order to make room for a mummy case, which had been conveyed from the wall, as was evident from the gap there, and laid across the front of the table. The mummy itself, a horrid, black, withered thing, like a charred head on a gnarled bush, was lying half out of the case, with its claw-like hand and bony forearm resting upon the table. Propped up against the sarcophagus was an old yellow scroll of papyrus, and in front of it, in a wooden armchair, sat the owner of the room, his head thrown back, his widely-opened eyes directed in a horrified stare to the crocodile above him, and his blue, thick lips puffing loudly with every expiration. ‘My God! he’s dying!’ cried Monkhouse Lee distractedly. He was a slim, handsome young fellow, olive-skinned and dark-eyed, of a Spanish rather than English type, with a Celtic intensity of manner which contrasted with the Saxon phlegm of Abercombie Smith. ‘Only a faint, I think,’ said the medical student. ‘Just give me a hand with him. You take his feet. Now on to the sofa. Can you kick all those little wooden devils off? What a litter it is! Now he will be all right if we undo his collar and give him some water. What has he been up to at all?’ ‘I don’t know. I heard him cry out. I ran up. I know him pretty well, you know. It is very good of you to come down.’ ‘His heart is going like a pair of castanets,’ said Smith, laying his hand on the breast of the unconscious man. ‘He seems to me to be frightened all to pieces. Chuck the water over him! What a face he has got on him!’ It was indeed a strange and most repellent face, for colour and outline were equally unnatural. It was white, not with the ordinary pallor of fear but with an absolutely bloodless white, like the underside of a sole. He was very fat, but gave the impression of having been at some time considerably fatter, for his skin hung loosely in creases and folds, and was shot with a meshwork of wrinkles. Short, stubbly brown hair bristled up from his scalp, with a pair of thick, wrinkled ears protruding at the sides. His light grey eyes were still open, the pupils dilated and the balls projecting in a fixed and horrid stare. It seemed to Smith as he looked down upon him that he had never seen nature’s danger signals flying so plainly upon a man’s countenance, and his thoughts turned more seriously to the warning which Hastie had given him an hour before. ‘What the deuce can have frightened him so?’ he asked. ‘It’s the mummy.’ ‘The mummy? How, then?’ ‘I don’t know. It’s beastly and morbid. I wish he would drop it. It’s the second fright he has given me. It was the same last winter. I found him just like this, with that horrid thing in front of him.’ ‘What does he want with the mummy, then?’ ‘Oh, he’s a crank, you know. It’s his hobby. He knows more about these things than any man in England. But I wish he wouldn’t! Ah, he’s beginning to come to.’ A faint tinge of colour had begun to steal back into Bellingham’s ghastly cheeks, and his eyelids shivered like a sail after a calm. He clasped and unclasped his hands, drew a long, thin breath between his teeth, and suddenly jerking up his head, threw a glance of recognition around him. As his eyes fell upon the mummy, he sprang off the sofa, seized the roll of papyrus, thrust it into a drawer, turned the key, and then staggered back on to the sofa. ‘What’s up?’ he asked. ‘What do you chaps want?’ ‘You’ve been shrieking out and making no end of a fuss,’ said Monkhouse Lee. ‘If our neighbour here from above hadn’t come down, I’m sure I don’t know what I should have done with you.’ ‘Ah, it’s Abercrombie Smith,’ said Bellingham, glancing up at him. ‘How very good of you to come in! What a fool I am! Oh, my God, what a fool I am!’ He sank his head on to his hands, and burst into peal after peal of hysterical laughter. ‘Look here! Drop it!’ cried Smith, shaking him roughly by the shoulder. ’I wonder,’ said Bellingham, ‘whether you would be as cool as I am if you had seen – ‘ ‘What, then?’ ‘Oh, nothing. I meant that I wonder if you could sit up at night with a mummy without trying your nerves. I have no doubt that you are quite right. I dare say that I have been taking it out of myself too much lately. But I am all right now. Please don’t go, though. Just wait for a few minutes until I am quite myself.’ ‘The room is very close,’ remarked Lee, throwing open the window and letting in the cool night air. ‘It’s balsamic resin,’ said Bellingham. He lifted up one of the dried palmate leaves from the table and frizzled it over the chimney of the lamp. It broke away into heavy smoke wreaths, and a pungent, biting odour filled the chamber. ‘It’s the sacred plant – the plant of the priests,’ he remarked. ‘Do you know anything of Eastern languages, Smith?’ ‘Nothing at all. Not a word.’ The answer seemed to lift a weight from the Egyptologist’s mind. ‘By-the-way,’ he continued, ‘how long was it from the time that you ran down, until I came to my senses?’ ‘Not long. Some four or five minutes.’ ‘I thought it could not be very long,’ said he, drawing a long breath. ‘But what a strange thing unconsciousness is! There is no measurement to it. I could not tell from my own sensations if it were seconds or weeks. Now that gentleman on the table was packed up in the days of the eleventh dynasty, some forty centuries ago, and yet if he could find his tongue he would tell us that this lapse of time has been but a closing of the eyes and a reopening of them. He is a singularly fine mummy, Smith.’ Smith stepped over to the table and looked down with a professional eye at the black and twisted form in front of him. The features, though horribly discoloured, were perfect, and two little nut-like eyes still lurked in the depths of the black, hollow sockets. The blotched skin was drawn tightly from bone to bone, and a tangled wrap of black coarse hair fell over the ears. Two thin teeth, like those of a rat, overlay the shrivelled lower lip. In its crouching position, with bent joints and craned head, there was a suggestion of energy about the horrid thing which made Smith’s gorge rise. The gaunt ribs, with their parchment-like covering, were exposed, and the sunken, leaden-hued abdomen, with the long slit where the embalmer had left his mark; but the lower limbs were wrapt round with coarse yellow bandages. A number of little clove-like pieces of myrrh and of cassia were sprinkled over the body, and lay scattered on the inside of the case. ‘I don’t know his name,’ said Bellingham, passing his hand over the shrivelled head. ‘You see the outer sarcophagus with the inscriptions is missing. Lot 249 is all the title he has now. You see it printed on his case. That was his number in the auction at which I picked him up.’ ‘He has been a very pretty sort of fellow in his day,’ remarked Abercrombie Smith. ‘He has been a giant. His mummy is six feet seven in length, and that would be a giant over there, for they were never a very robust race. Feel these great knotted bones, too. He would be a very nasty fellow to tackle.’ ‘Perhaps these very hands helped to build the stones into the pyramids,’ suggested Monkhouse Lee, looking down with disgust in his eyes at the crooked, unclean talons. ‘No fear. This fellow has been pickled in natron, and looked after in the most approved style. They did not serve hodmen in that fashion. Salt or bitumen was enough for them. It has been calculated that this sort of thing cost about seven hundred and thirty pounds in our money. Our friend was a noble at least. What do you make of that small inscription near his feet, Smith?’ ‘I told you that I know no Eastern tongue.’ ‘Ah, so you did. It is the name of the embalmer, I take it. A very conscientious worker he must have been. I wonder how many modern works will survive four thousand years?’ ‘You’re not going yet?’ cried Bellingham, as Smith rose from the sofa. At the prospect of solitude, his fears seemed to crowd back upon him, and he stretched out a hand to detain him. ‘Yes, I must go. I have my work to do. You are all right now. I think that with your nervous system you should take up some less morbid study.’ ‘Oh, I am not nervous as a rule; and I have unwrapped mummies before.’ ‘You fainted the last time,’ observed Monkhouse Lee. ‘Ah, yes, so I did. Well, I must have a nerve tonic or a course of electricity. You are not going, Lee?’ ‘I’ll do whatever you wish, Ned.’ ‘Then I’ll come down with you and have a shake-down on your sofa. Good-night, Smith. I am so sorry to have disturbed you with my foolishness.’ They shook hands, and as the medical student stumbled up the spiral and irregular stair he heard a key turn in a door, and the steps of his two new acquaintances as they descended to the lower floor. One habit Bellingham had developed of late which Smith knew to be a frequent herald of a weakening mind. He appeared to be forever talking to himself. At late hours of the night, when there could be no visitor with him, Smith could still hear his voice beneath him in a low, muffled monologue, sunk almost to a whisper, and yet very audible in the silence. This solitary babbling annoyed and distracted the student, so that he spoke more than once to his neighbour about it. Bellingham, however, flushed up at the charge, and denied curtly that he had uttered a sound; indeed, he showed more annoyance over the matter than the occasion seemed to demand. Had Abercrombie Smith had any doubt as to his own ears he had not to go far to find corroboration. Tom Styles, the little wrinkled man-servant who had attended to the wants of the lodgers in the turret for a longer time than any man’s memory could carry him, was sorely put to it over the same matter. ‘If you please, sir,’ said he, as he tidied down the top chamber one morning, ‘do you think Mr. Bellingham is all right, sir?’ ‘All right, Styles?’ ‘Yes sir. Right in his head, sir.’ ‘Why should he not be, then?’ He’s took to talkin’ to himself something awful. I wonder it don’t disturb you. I don’t know what to make of him, sir.’ ‘I don’t know what business it is of yours, Styles.’ ‘Well, I takes an interest, Mr. Smith. It may be forward of me, but I can’t help it. I feel sometimes as if I was mother and father to my young gentlemen. It all falls on me when things go wrong and the relations come. But Mr. Bellingham, sir. I want to know what it is that walks about his room sometimes when he’s out and when the door’s locked on the outside.’ ‘Eh! you’re talking nonsense, Styles.’ ‘Maybe so, sir; but I heard it more’n[8 - more’n = more than – áîëåå ÷åì.] once with my own ears.’ ‘Rubbish, Styles.’ ‘Very good, sir. You’ll ring the bell if you want me.’ Abercrombie Smith gave little heed to the gossip of the old man-servant, but a small incident occurred a few days later which left an unpleasant effect upon his mind, and brought the words of Styles forcibly to his memory. Bellingham had come up to see him late one night, and was entertaining him with an interesting account of the rock tombs of Beni Hassan in Upper Egypt, when Smith, whose hearing was remarkably acute, distinctly heard the sound of a door opening on the landing below. ‘There’s some fellow gone in or out of your room,’ he remarked. Bellingham sprang up and stood helpless for a moment, with the expression of a man who is half incredulous and half afraid. ‘I surely locked it. I am almost positive that I locked it,’ he stammered. ‘No one could have opened it.’ ‘Why, I hear someone coming up the steps now,’ said Smith. Bellingham rushed out through the door, slammed it loudly behind him, and hurried down the stairs. About half-way down Smith heard him stop, and thought he caught the sound of whispering. A moment later the door beneath him shut, a key creaked in a lock, and Bellingham, with beads of moisture upon his pale face, ascended the stairs once more, and re-entered the room. ‘It’s all right,’ he said, throwing himself down in a chair. ‘It was that fool of a dog. He had pushed the door open. I don’t know how I came to forget to lock it.’ ‘I didn’t know you kept a dog,’ said Smith, looking very thoughtfully at the disturbed face of his companion. ‘Yes, I haven’t had him long. I must get rid of him. He’s a great nuisance.’ ‘He must be, if you find it so hard to shut him up. I should have thought that shutting the door would have been enough, without locking it.’ ‘I want to prevent old Styles from letting him out. He’s of some value, you know, and it would be awkward to lose him.’ ‘I am a bit of a dog-fancier myself,’ said Smith, still gazing hard at his companion from the corner of his eyes. ‘Perhaps you’ll let me have a look at it.’ ‘Certainly. But I am afraid it cannot be to-night; I have an appointment. Is that clock right? Then I am a quarter of an hour late already. You’ll excuse me, I am sure.’ He picked up his cap and hurried from the room. In spite of his appointment, Smith heard him re-enter his own chamber and lock his door upon the inside. This interview left a disagreeable impression upon the medical student’s mind. Bellingham had lied to him, and lied so clumsily that it looked as if he had desperate reasons for concealing the truth. Smith knew that his neighbour had no dog. He knew, also, that the step which he had heard upon the stairs was not the step of an animal. But if it were not, then what could it be? There was old Styles’s statement about the room at times when the owner was absent. Could it be a woman? Smith rather inclined to the view. If so, it would mean disgrace and expulsion to Bellingham if it were discovered by the authorities, so that his anxiety and falsehoods might be accounted for. And yet it was inconceivable that an undergraduate could keep a woman in his rooms without being instantly detected. Be the explanation what it might, there was something ugly about it, and Smith determined, as he turned to his books, to discourage all further attempts at intimacy on the part of his soft-spoken and ill-favored neighbor. But his work was destined to interruption that night. He had hardly caught up the broken threads when a firm, heavy footfall came three steps at a time from below, and Hastie, in blazer and flannels, burst into the room. Have you heard about Long Norton?’ he asked. ‘What’s that?’ ‘He’s been attacked.’ ‘Attacked?’ ‘Yes, just as he was turning out of the High Street, and within a hundred yards of the gate of Old’s.’ ‘But who—’ If you said ‘what,’ you would be more grammatical. Norton swears that it was not human, and, indeed, from the scratches on his throat, I should be inclined to agree with him.’ He passes that way every night, you know, about the same hour. There’s a tree that hangs low over the path – the big elm from Rainy’s garden. Norton thinks the thing dropped on him out of the tree. Anyhow, he was nearly strangled by two arms, which, he says, were as strong and as thin as steel bands. He saw nothing; only those beastly arms that tightened and tightened on him. He yelled his head nearly off, and a couple of chaps came running, and the thing went over the wall like a cat. He never got a fair sight of it the whole time. It gave Norton a shake up, I can tell you. I tell him it has been as good as a change at the sea-side for him.’ ‘A garrotter, most likely,’ said Smith. ‘Very possibly. Norton says not; but we don’t mind what he says. The garrotter had long nails, and was pretty smart at swinging himself over walls. By-the-way, your neighbour would be pleased if he heard about it. He had a grudge against Norton, and he’s not a man, from what I know of him, to forget his little debts. Hastie went off and Smith laid down his pipe and turned stolidly to his books once more. But with all the will in the world, he found it very hard to keep his mind upon his work. It would slip away to brood upon the man beneath him, and upon the little mystery which hung around his chambers. Then his thoughts turned to this singular attack of which Hastie had spoken, and to the grudge which Bellingham was said to owe the object of it. The two ideas would persist in rising together in his mind, as though there were some close and intimate connection between them. And yet the suspicion was so dim and vague that it could not be put down in words. One afternoon, however, he was descending the stairs when, just as he was passing it, Bellingham’s door flew open, and young Monkhouse Lee came out with his eyes sparkling and a dark flush of anger upon his olive cheeks. Close at his heels followed Bellingham, his fat, unhealthy face all quivering with malignant passion. ‘You fool!’ he hissed. ‘You’ll be sorry.’ ‘Very likely,’ cried the other. ‘Mind what I say. It’s off! I won’t hear of it!’ ‘You’ve promised, anyhow.’ ‘Oh, I’ll keep that! I won’t speak. But I’d rather little Eva was in her grave. Once for all, it’s off. She’ll do what I say. We don’t want to see you again.’ So much Smith could not avoid hearing, but he hurried on, for he had no wish to be involved in their dispute. There had been a serious breach between them, that was clear enough, and Lee was going to cause the engagement with his sister to be broken off. Smith thought of Hastie’s comparison of the toad and the dove, and was glad to think that the matter was at an end. There was one little indulgence which Abercrombie Smith always allowed himself, however closely his work might press upon him. Twice a week, on the Tuesday and the Friday, it was his invariable custom to walk over to Farlingford, the residence of Dr. Plumptree Peterson, situated about a mile and a half out of Oxford. Peterson had been a close friend of Smith’s elder brother Francis, and as he was a bachelor, fairly well-to-do, with a good cellar and a better library, his house was a pleasant goal for a man who was in need of a brisk walk. Twice a week, then, the medical student would swing out there along the dark country roads, and spend a pleasant hour in Peterson’s comfortable study, discussing, over a glass of old port, the the gossip of the ‘varsity or the latest developments of medicine or of surgery. Smith shut up his books at a quarter past eight, the hour when he usually started for his friend’s house. As he was leaving his room, however, his eyes chanced to fall upon one of the books which Bellingham had lent him, and his conscience pricked him for not having returned it. However repellent the man might be, he should not be treated with discourtesy. Taking the book, he walked downstairs and knocked at his neighbour’s door. There was no answer; but on turning the handle he found that it was unlocked. Pleased at the thought of avoiding an interview, he stepped inside, and placed the book with his card upon the table. The lamp was turned half down, but Smith could see the details of the room plainly enough. It was all much as he had seen it before – the frieze, the animal-headed gods, the hanging crocodile, and the table littered over with papers and dried leaves. The mummy case stood upright against the wall, but the mummy itself was missing. There was no sign of any second occupant of the room. The spiral stair was as black as pitch, and Smith was slowly making his way down its irregular steps, when he was suddenly conscious that something had passed him in the darkness. There was a faint sound, a whiff of air, a light brushing past his elbow, but so slight that he could scarcely be certain of it. He stopped and listened, but the wind was rustling among the ivy outside, and he could hear nothing else. ‘Is that you, Styles?’ he shouted. There was no answer, and all was still behind him. It must have been a sudden gust of air, for there were crannies and cracks in the old turret. And yet he could almost have sworn that he heard a footfall by his very side. He had emerged into the quadrangle, still turning the matter over in his head, when a man came running swiftly across the smooth-cropped lawn. ‘Is that you, Smith?’ ‘Hullo, Hastie!’ ‘For God’s sake come at once! Young Lee is drowned! Here’s Harrington of King’s with the news. The doctor is out. You’ll do, but come along at once. There may be life in him.’ ‘Have you brandy?’ ‘No.’ ‘I’ll bring some. There’s a flask on my table.’ Smith bounded up the stairs, taking three at a time, seized the flask, and was rushing down with it, when, as he passed Bellingham’s room, his eyes fell upon something which left him gasping and staring upon the landing. The door, which he had closed behind him, was now open, and right in front of him, with the lamp-light shining upon it, was the mummy case. Three minutes ago it had been empty. He could swear to that. Now it framed the lank body of its horrible occupant, who stood, grim and stark, with his black shrivelled face towards the door. The form was lifeless and inert, but it seemed to Smith as he gazed that there still lingered a lurid spark of vitality, some faint sign of consciousness in the little eyes which lurked in the depths of the hollow sockets. So astounded and shaken was he that he had forgotten his errand, and was still staring at the lean, sunken figure when the voice of his friend below recalled him to himself. ‘Come on, Smith!’ he shouted. ‘It’s life and death, you know. Hurry up! Now, then,’ he added, as the medical student reappeared, ‘let us do a sprint. It is well under a mile, and we should do it in five minutes. A human life is better worth running for than a pot.’ Neck and neck they dashed through the darkness, and did not pull up until, panting and spent, they had reached the little cottage by the river. Young Lee, limp and dripping like a broken water-plant, was stretched upon the sofa, the green scum of the river upon his black hair, and a fringe of white foam upon his leaden-hued lips. Beside him knelt his fellow-student Harrington, endeavouring to chafe some warmth back into his rigid limbs. ‘I think there’s life in him,’ said Smith, with his hand to the lad’s side. ‘Put your watch glass to his lips. Yes, there’s dimming on it. You take one arm, Hastie. Now work as I do, and we’ll soon pull him round.’ For ten minutes they worked in silence, inflating and depressing the chest of the unconscious man. At the end of that time a shiver ran through his body and his lips trembled, and he opened his eyes. The three students burst out into an irrepressible cheer. Monkhouse Lee raised himself on his hands, and looked wildly about him. ‘What’s up?’ he asked. ‘I’ve been in the water. Ah, yes; I remember.’ A look of fear came into his eyes, and he sank his face into his hands. ‘How did you fall in?’ ‘I didn’t fall in.’ ‘How, then?’ ‘I was thrown in. I was standing by the bank, and something from behind picked me up like a feather and hurled me in. I heard nothing, and I saw nothing. But I know what it was, for all that.’ It was little chat that they had upon their homeward path. Smith’s mind was too full of the incidents of the evening, the absence of the mummy from his neighbour’s rooms, the step that passed him on the stair, the reappearance – the extraordinary, inexplicable reappearance of the grisly thing – and then this attack upon Lee, corresponding so closely to the previous outrage upon another man against whom Bellingham bore a grudge. All this settled in his thoughts, together with the many little incidents which had previously turned him against his neighbour, and the singular circumstances under which he was first called in to him. What had been a dim suspicion, a vague, fantastic conjecture, had suddenly taken form, and stood out in his mind as a grim fact, a thing not to be denied. And yet, how monstrous it was! how unheard of! how entirely beyond all bounds of human experience. The next evening Smith determined to pay the visit to his friend Dr. Peterson upon which he had started upon the night before. A good walk and a friendly chat would be welcome to his jangled nerves. Bellingham’s door was shut when he passed, but glancing back when he was some distance from the turret, he saw his neighbour’s head at the window outlined against the lamp-light, his face pressed apparently against the glass as he gazed out into the darkness. It was a lonely road which led to his friend’s house. Early as it was, Smith did not meet a single soul upon his way. He walked briskly along until he came to the avenue gate, which opened into the long gravel drive leading up to Farlingford. In front of him he could see the cosy red light of the windows glimmering through the foliage. He stood with his hand upon the iron latch of the swinging gate, and he glanced back at the road along which he had come. Something was coming swiftly down it. Êîíåö îçíàêîìèòåëüíîãî ôðàãìåíòà. Òåêñò ïðåäîñòàâëåí ÎÎÎ «ËèòÐåñ». Ïðî÷èòàéòå ýòó êíèãó öåëèêîì, êóïèâ ïîëíóþ ëåãàëüíóþ âåðñèþ (https://www.litres.ru/arthur-konan-doyle/ochen-strashnye-istorii-best-horror-stories/?lfrom=688855901) íà ËèòÐåñ. Áåçîïàñíî îïëàòèòü êíèãó ìîæíî áàíêîâñêîé êàðòîé Visa, MasterCard, Maestro, ñî ñ÷åòà ìîáèëüíîãî òåëåôîíà, ñ ïëàòåæíîãî òåðìèíàëà, â ñàëîíå ÌÒÑ èëè Ñâÿçíîé, ÷åðåç PayPal, WebMoney, ßíäåêñ.Äåíüãè, QIWI Êîøåëåê, áîíóñíûìè êàðòàìè èëè äðóãèì óäîáíûì Âàì ñïîñîáîì. notes Ïðèìå÷àíèÿ 1 the ace of diamonds – áóáíîâûé òóç (diamonds – áóáíû, îäíà èç 4-õ êàðòî÷íûõ ìàñòåé. Clubs – òðåôû, hearts – ÷åðâè, spades – ïèêè). 2 ‘In evil memory of Julia Stone.’ – «Íåäîáðîé ïàìÿòè Äæóëèè Ñòîóí», àëëþçèÿ íà îáû÷íóþ íàäãðîáíóþ íàäïèñü “In good memory of…” 3 Walpurgis night – Âàëüïóðãèåâà íî÷ü (ñ 30 àïðåëÿ íà 1 ìàÿ), ïî ïðåäàíèÿì – âðåìÿ, êîãäà íå÷èñòàÿ ñèëà (âåäüìû è ïð.) ñîáèðàåòñÿ íà øàáàø. 4 as stanch a Tory as ever lay awake nights contriving new kinds of maledictions for the head of Mr. Washington, and new methods of aiding and abetting good King George – ïðåäàííûé, êàê íèêîãäà, òîðè, êîòîðûé íå ñïàë íî÷àìè, ïðèäóìûâàÿ âñå íîâûå ïðîêëÿòèÿ íà ãîëîâó Âàøèíãòîíà è íîâûå ñïîñîáû ïîääåðæêè è ïîìîùè äëÿ äîáðîãî êîðîëÿ Ãåîðãà. Òîðè – àíãëèéñêàÿ ïîëèòè÷åñêàÿ ïàðòèÿ, ïîÿâèëàñü â êîíöå 1660 õ ãã., âûñòóïàëà çà àáñîëþòíóþ âëàñòü êîðîëÿ, è, ñîîòâåòñòâåííî, ïðîòèâ íåçàâèñèìîñòè Àìåðèêè, áîðüáó çà êîòîðóþ âîçãëàâèë Äæîðäæ Âàøèíãòîí. 5 clew – î÷åâèäíî, clue – «ïîäñêàçêà, êëþ÷ ê ðàçãàäêå». 6 vraisemblance – ïðàâäîïîäîáèå (ôð.). 7 scout – ñëóãà â Îêñôîðäñêîì è íåêîòîðûõ äðóãèõ óíèâåðñèòåòàõ. 8 more’n = more than – áîëåå ÷åì.
Íàø ëèòåðàòóðíûé æóðíàë Ëó÷øåå ìåñòî äëÿ ðàçìåùåíèÿ ñâîèõ ïðîèçâåäåíèé ìîëîäûìè àâòîðàìè, ïîýòàìè; äëÿ ðåàëèçàöèè ñâîèõ òâîð÷åñêèõ èäåé è äëÿ òîãî, ÷òîáû âàøè ïðîèçâåäåíèÿ ñòàëè ïîïóëÿðíûìè è ÷èòàåìûìè. Åñëè âû, íåèçâåñòíûé ñîâðåìåííûé ïîýò èëè çàèíòåðåñîâàííûé ÷èòàòåëü - Âàñ æä¸ò íàø ëèòåðàòóðíûé æóðíàë.